Disability and the Celts - Emor - Mythic Torah

Nuada Silver-Hand

Welcome back to Mythic Torah, my regular article investigating monsters, heroes and gods in the weekly Torah reading. This week's reading is Emor, the 8th reading of the book of Leviticus, that includes further instructions for the Priests as well as the major festivals of the Jewish year.

As a religious Jew, and particularly as a future rabbi, I come to the Torah looking for wisdom and guidance. I expect the Torah to speak to me with a voice of holiness and divinity, a voice that calls me to be better than I am.

But there are sections of the Bible, and the Torah in particular, where this set of assumptions is hard to maintain, where it is very difficult for me to see the perfect voice of holiness that I look for.

Emor contains one of those sections.

After beginning with instructions about the Priests avoiding dead bodies, God gives Moses instructions about priests with physical disabilities:

Dreamscape - Behind the Scenes

So far I've posted seven tales of the Dreamscape, posted in the order in which I wrote them. They are:
•Gladiator
•Birth Day
•Sir Gallant 1 and 2
•Genesis
•Prophecy
•The Dinner Party 1 and 2
•Woman of his Dreams 1 and 2

But I haven't written anything about why or how I began to write this cycle. I decided that that ought to change.



Origin of the Dreamscape
I've been working on stories in this world for a long time. I distinctly remember when the first words of Gladiator came into my head as I was walking to the train station in Bristol having spent the weekend with my future wife. Suddenly the opening words coalesced in my mind, and I had to keep repeating them over and over so as not to forget them before I had a chance to write them down.

That was about 7 years ago.

The initial idea was, I believe, the science-fiction element - a dystopian London where the homeless are driven underground and forced to live in the dark and filth. There I imagined they created their own parallel reality of dream and fable, a place where no one suffered and everyone could have all they wanted. I believe that the element of the dream world was very much inspired by Neil Gaiman's Sandman (which is my favourite book of all time and if you haven't read the series, you really must).

Development of the Tales
But what made this idea better than many others I've had over the years, I think, is that this world provided a frame for far more than just science-fiction stories. In this world of dream and fable I could explore ideas of religion, fantasy, mythology and fairy-tale.

I realised that within this one world I could tell stories in every genre I love.

(more after the jump)