God of Fire and Forge - Pekudei - Mythic Torah

Purphoros, God of the Forge by Eric Deschamps, from Magic: The Gathering

 "Purphoros is the god of the forge, the restless earth, and fire. He rules the raw creative force of heat and energy that fills the souls of sentient beings. His energy emerges as chaos, something to be harnessed and shaped by labor and passion. For this reason, Purphoros is also the god of artisans, of obsession, and of the cycle of creation and destruction."
 -Planeswalker's Guide to Theros

As much time as I spend thinking about Sea Monsters, I probably spend more thinking about Magic: The Gathering, the awesome collectible card game published by Wizards of the Coast. While I love games of all kinds, Magic has the amazing combination of endlessly varied gameplay, the opportunity to experiment and be creative, and unbelievable fantasy art, that it has become my absolute favourite.

The idea behind Magic, and other collectible card games, is that every few months a new set of cards comes out, giving you hundreds of new possibilities for building your decks, and each year the game is set on a different fantasy world.

Now given everything you know about me, you can probably imagine my excitement when I discovered that this year would be set on a world inspired by Greek mythology, a world called Theros. This rich fantasy world has an equally rich pantheon, and one of the major gods is called Purphoros, god of the forge.

As the quote above shows, Purphoros is both the god of fire and destruction, and the god of artisans and artistic creation, the god who creates powerful enchantments and artefacts, and the god of violent rage and consuming fire.

This combination of art and fire marks the end of this week's parasha of Pekudei. We've spend much of the last month reading about the plans and construction of the mishkan, the mobile tabernacle in the wilderness, and after we've read about all these artistic and creative works, God finally manifests in the holy sanctuary:

Mirror, Mirror - Reflections on Parashat Vayakhel/Pekudei

    “Mirror, mirror on the wall, who is the fairest one of all?”

    The image of the evil queen from Snow White, standing before her magic mirror, has become a fundamental part of western culture, from Disney’s classic cartoon to Charlize Theron, in Snow White and the Huntsman, and Julia Roberts, in Mirror Mirror. The evil step mother, obsessed with her own reflection, her own beauty lasting forever, has become a key part of our idea of what mirrors mean.

    We might then be surprised to find mirrors at the heart of the tabernacle, the mishkan, whose construction we read about this week as the conclusion of the book of Exodus.

    Exodus 38:8 tells us about Betzalel making the basin, the kiyor, with which the priests would wash themselves before beginning the service:
   
    8] And he made the basin of bronze, and the base thereof of bronze, of the mirrors of the serving women that did service at the door of the tent of meeting.

    We know that the mishkan was constructed from the offerings of the people, whatever their hearts moved them to give, but why construct the basin out of mirrors? What place do mirrors have in our most sacred places?